Roy Carroll is an Irish musician and composer, based in Berlin. He works primarily with electroacoustic media; which includes transducers, synthesis, feedback, audio recordings, amplification, software, - auditory and psychoacoustic phenomena even. With these materials, Carroll instigates processes that ruthlessly investigate timbre, articulation, gesture, form and so on. Feedback, the horror of an instrument hearing itself, is a recurring component of Carroll's work, creating multi-layered forms that continually renegotiate the transformation of electrical audio signals into disturbed air.
The Monophonic Havel
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